Volume 190, sent March 2, 2001:
1. Uninspired Sax & The Low Spark Of Reebop
2. RE: Airforce Artwork
3. Sessions - Jeff Lynne ???
4. Sessions - Gormenghast... Not!
5. New York City
6. Traffic (1968) Album Musician Credits
7. Signed Steve Winwod Screenprint
8. R&R HOF
9. Did ya ever notice...
10. "Valerie" synthesizer?
11. FW: Memories of rockanroll
[My apologies for the length of time between volumes! This was due partly to the complete lack of news
about Winwood or Traffic, other than the release of the Blind Faith album; but also because the software I had
been using to send SP was no longer usable for the job. Attempting to make it work and then finding new
software that would allow me to hide the recipient list took me a little time. Your privacy is very important to
me and I was unwilling to send anything until I was sure what I had would work. I finally decided to use
Microsoft Outlook's BCC feature, with the 350 subscribers divided into 10 distribution lists. Transferring all
the address took additional time of course! I hope this proves satisfactory for all of us; please let me know if
you see any problems. --BobbieG]
Date: Thu, 12 Oct 2000 08:06:37 -0400
Subject: Uninspired Sax & The Low Spark Of Reebop
From: Trafficologist (Ted G.) email@example.com
Some stray thoughts regarding the 1973 Traffic albums...
(1) A long time ago in an SP far away (actually it was SP 116-11) a
listener heard the hard-to-hear flute on "Pearly Queen" for the first time,
having had the TRAFFIC album for 30 years. Well, I recently noticed for
the first time that there's a sax in the studio version of "Uninspired". It
pops up briefly, and not very loudly, about 3 times near the beginning of
the song, but then it's gone by the end of the first verse and doesn't
show up again. Has anyone else heard this?
(2) Who is doing that spontaneous singing at the beginning of the ON THE
ROAD version of "Low Spark"? Is that Reebop?
Mini-poll on ON THE ROAD:
What OTR track:
(a) improves on the studio version the most?
(b) suffers the most in comparison to the studio version?
(c) comes the closest to being neither better nor worse than the studio
My votes: (a) Uninspired, (b) Freedom Rider, (c) Tragic Magic.
From: Fischler, Sol (NBC) [Sol.Fischler@nbc.com]
Sent: Thursday, November 16, 2000 7:45 AM
Subject: RE: Airforce Artwork
Here's a quick note on the art from the original albums --
Ginger Baker's Air Force is a gatefold cover, opening up backwards. The
cover has the words AIR FORCE in big orange block letters, with the names
of the musicians written in a circle around it in yellow in front of what
looks like a big theater curtain. The back of the cover (or what we would
usually expect to be the front) has what looks like a wave of water coming
up around big red notes, and people walking around it. Inside is a huge
black & white "doodle", with a sepia-toned picture of the band performing
in the center. Except for the band picture, everything is hand drawn.Air
Force 2 is also a gatefold opening backwards (is Ginger Baker really Jewish
-- ?) with the "front" cover art (what we would think is the back) has AIR
FORCE written in the upper left in red, white, & blue stripes, and a big
red white & blue bullseye reminiscent of, I guess, the RAF, in the
center. (This might be what you remembered -- before I went home & checked
I remembered it as a plane, too.) The "back" has a green background, a
red star-like design emminating from the center, and a rectangular drawing
with the words "we can bide time......" in it. Inside the album is an angel
playing a horn to a dragon, both of whom have the RAF bulleyes on them,
with little space ships and rockets in the sky. (As I remember, the drugs
were much better back then ... )Incidentally, AF2 does not have either
Winwood or Wood on it, according to the liner notes.
By the way, being proud as all hell that I've mastered the software, I'll
tell you I mastered Air Force 1 to an 80min. CDR, along with the artwork.
Air Force 2 when I have more time.
If you want to trade for AF1, let me know.
From: Stephen Smith [firstname.lastname@example.org]
Sent: Sunday, December 03, 2000 6:06 PM
Subject: Sessions - Jeff Lynne ???
I recently received an email about a possible contribution by Steve during
the sessions for Jeff Lynne's solo CD titled Armchair Theatre (1990). The
email mentioned an article which said that, from the sender's memory, "one
of the other contributors to that album says that he felt lucky to have a
song on the CD due to the one with Steve having been dropped".
Other contributors to those sessions included George Harrison and Tom
Petty! I've found that the album does not credit Steve with playing, but
the "Thanks to" section includes him along with other people who were
involved with the project. This lends some credence to the email.
I don't hear any obvious contributions by Steve on the CD or on three
non-album tracks from the sessions which were released on singles. I may
add it to the Contributions & Sessions pages of the Smiling Phases site as
"Unreleased Material", but I'd like to learn more about it first.
Your help wanted! Have you heard about this? Did you read an article that
mentioned it? Please contact me! Useful contributions will be credited on
the C&S pages, as always.
From: Stephen Smith [email@example.com]
Sent: Sunday, November 26, 2000 12:18 PM
Subject: Sessions - Gormenghast... Not!
Longtime SP subscribers and Sessions fans know that Steve Winwood and
Vivian Stanshall may have collaborated on soundtrack material for a planned
film production of Mervyn Peake's Gormenghast novel. Alan Clayson described
this collaboration in his Winwood biography called Back In The High Life
(1988). Sting bought the Gormenghast property in 1982 and two years later
starred in a BBC radio dramatization of it. Mr. Clayson said in his book
that some of the Winwood / Stanshall material was used in the radio show.
Well, good news and bad news!
First, the good news. BBC Enterprises re-released the show on two cassettes
in the UK earlier this year. It's a lot of fun, especially if you
appreciate British humor, and Sting portrays a credible bad guy. I think
the current awareness of Gormenghast has to do with a recent television
production that was highly successful.
Now the bad news, at least for Winwood fanatics. There is no trace of any
Winwood / Stanshall material on these cassettes, contrary to Mr. Clayson's
assertion. The soundtrack consists entirely of orchestral and chamber music
and a few sound effects. If these two did record music for Gormenghast, it
would likely have been between 1978 and 1982, but it wasn't used here! Some
of these efforts may have been incorporated into Vivian Stanshall's solo
projects Sir Henry At Rawlinson End (1978), on which Steve is credited, and
Teddy Boys Don't Knit (1981), to which Steve may have contributed but he is
I've updated the Collaborations & Sessions pages of the Smiling Phases site
for Gormenghast. See the Unreleased Material section.
Hey, is that new Blind Faith set ever going to be released????? Wazzup wit
From: Dawn [firstname.lastname@example.org]
Sent: Friday, March 02, 2001 9:26 AM
Subject: New York City
Calling all New York area Winwood fans!
Last time Bobbie came out to visit me in New Jersey, Thanksgiving 1998 (wow,
that long ago already?), we decided to meet up with other SPers in New York
City at what we jokingly christened our "First Annual Winwood Convention".
The group that met up had a wonderful time, laughing, talking music, eating,
drinking, and enjoying making new friends. If you remember our posts
talking about the evening, you know that it was a great night of silliness
and fellowship, and most importantly, the opportunity to bond with our
fellow fans. (If you are a newbie, you can check out old SP posts on
Bobbie's website under SP Archives. The special edition of SP regarding the
first "convention" should be up there soon.)
Well, since Bobbie is crazy enough to come out and visit me again, ;-) we
thought it would be great to meet up with any and all SPers who want to join
us for dinner, drinks and silliness! By whatever name you call it, the
first meeting was an extraordinary experience by all accounts, and I hope
that old AND new SPers alike will be tempted to come.
We will be meeting on:
Saturday, March 31, 2001 in New York City, at about 7 p.m.*
*(The exact time and venue will be decided once we know how many people want
to come. And for those of you who know of my propensity to be a prankster
around April Fool's Day - this is NOT an April Fool's joke, I promise!)
Please email Bobbie or me, and let us know if you are interested. I'd love
to see the folks I met at the first "convention", and I'm hoping to meet
some new faces, too! We don't need to wait for a tour for an excuse to get
Hope to see you there!
From: David Creelman [email@example.com]
Sent: Monday, February 05, 2001 12:37 PM
Subject: Traffic (1968) Album Musician Credits
Does anyone have the complete musician credits(song by song) for this
great album? I remember seeing them on an album
insert about 30 years ago, but haven't encountered them since.
David Creelman in Toronto
From: Arison Framers [firstname.lastname@example.org]
Sent: Tuesday, January 09, 2001 2:12 PM
Subject: Signed Steve Winwod Screenprint
Framed Limited Edition Screenprint of "There's A River" by Tony Wright. The
Edition number is 46/100. Framed in natural hardwood 40mm square ash and
double mounted (matt) to conservation standard, the finished size (including
frame) is: 48cm x 50cm (approx. 19" x 20").
Offers in the region of £225.00. This will include postage and packaging.
Paul Rendel - Arison Craft Picture Framers and Gallery
From: Dawn [email@example.com]
Sent: Thursday, December 14, 2000 10:06 AM
Subject: R&R HOF
Each year, when the Rock and Roll Hall of Fame induction
announcement comes out, my heart sinks, and this year is no exception.
Chris Blackwell, Islands Records founder, is being inducted into the Rock
and Roll Hall of Fame in 2001 in a new non-performer category, for signing
up famous acts.
Well, now, how about inducting one of the most famous acts he
signed, Steve Winwood?? Yes, I know that Steve solo isn't allowed to be
inducted yet, simply because his first solo album went out well into his
career, and so he hasn't put in the full 25 year waiting period yet, but how
about Traffic then?
It just may be that an induction into the R&RHoF means nothing at
all to the Traffic guys, but other musicians have seemed quite proud of
their induction, and it's about time that these guys got their due, too. I'd
be willing to wager that it would mean a lot to their fans, if not to the
Waiting for next year,
Sent: Thursday, February 15, 2001 6:48 AM
Subject: Did ya ever notice...
From: Trafficologist (Ted G.) firstname.lastname@example.org
(1) ...that Jim's vocal on the "live" (ON THE ROAD) version of "Light Up
And Leave Me Alone" sounds distinctly double-tracked? It doesn't sound
like Steve's singing with Jim, and it doesn't sound like there's just an echo
on Jim's voice -- it sounds like two Jims!
(2) ...that parts of a mostly-erased lead vocal can be heard in the second
verse of "The Low Spark Of High Heeled Boys"? For example, right
before the line "as sure as your sorrows are joys", you can hear Steve
starting to sing "we were children once..." (i.e., the corresponding line
from the 1st verse).
Sent: Monday, December 11, 2000 2:45 AM
Subject: "Valerie" synthesizer?
My name is Edwin from Holland and I play synthesizer and search for that great sound from the
solo in the song "Valerie" I have looked everywhere but can't find that exact type of Synthesizer
en the sound of it.
Please can you help me maybe to redirect to someone?
Greetings from Holland , Edwin
From: BobbieG [email@example.com]
Sent: Thursday, March 01, 2001 10:13 AM
Subject: FW: Memories of rockanroll
I got this; what do you all think?
Sent: Thursday, March 01, 2001 9:02 AM
Subject: Memories of rockanroll
In the final stropha of "Memories of a Rockanroll", in When the Eagle
Flies, Jim Capaldi sing lead with Steve, I think.
End of Smiling Phases, volume 190